"Breakfast on the Grass" na Claude Monet. Yadda aka haifi impressionism

Ba kowa ba ne ya san cewa Monet's "Breakfast on the Grass" a cikin Pushkin Museum shi ne ainihin nazari ga babban zane mai suna iri ɗaya. Yanzu yana cikin Musée d'Orsay. Wani katon mai zane ne ya dauki cikinsa. 4 zu6m. Duk da haka, ƙaƙƙarfan ƙaddarar zanen ya haifar da gaskiyar cewa ba a kiyaye shi duka ba.

Karanta game da wannan a cikin labarin "Me yasa za ku fahimci zane-zane ko labarun 3 game da masu arziki da suka kasa".

site "Diary na zanen: a cikin kowane hoto - tarihi, rabo, asiri".

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"Lancheon on the Grass" (1866) Pushkin Museum - daya daga cikin shahararrun zane-zane na Claude Monet. Duk da ita ba irinsa bace. Bayan haka, an halicce shi ne lokacin da mai zane ke neman salon kansa. Lokacin da manufar "impressionism" ba ta wanzu. Lokacin da shahararrun jerin zane-zanensa tare da ciyawa da Majalisar London har yanzu suna da nisa.

Ba mutane da yawa sun san cewa zanen a Pushkinsky shine kawai zane don babban zane "Breakfast on the Grass". Ee iya. Akwai "Breakfast on the Grass" guda biyu na Claude Monet.

Ana ajiye hoto na biyu a ciki Musée d'Orsay in Paris. Gaskiya, hoton ba a kiyaye shi gaba ɗaya ba. Sai kawai a kan wani zane daga Pushkin Museum za mu iya yin hukunci da ainihin siffar.

To me ya faru da zanen? Bari mu fara da tarihin halittarsa.

Ilham. "Breakfast on the Grass" Edouard Manet

An yi wahayi zuwa Claude Monet don ƙirƙirar "Breakfast on the Grass" ta aikin Edouard Manet mai suna iri ɗaya. Bayan 'yan shekaru baya, ya baje kolin aikinsa a Salon Paris (baje kolin fasaha na hukuma).

Yana iya zama kamar kowa a gare mu. Mace tsirara da maza biyu masu kaya. Tufafin da aka cire suna nan kusa. Siffa da fuskar matar suna haskakawa. Ta kalle mu cikin karfin hali.

Duk da haka, hoton ya haifar da abin kunya da ba za a iya misaltuwa ba. A lokacin, mata marasa gaskiya ne kawai, tsirara. Anan, Manet ya zana fikin ƴan bourgeois na yau da kullun. Mace tsirara ba baiwar Allah tatsuniya ba ce. Wannan shine ainihin ladabi. Kusa da ita, matasa dandies suna jin daɗin yanayi, tattaunawa ta falsafa da tsiraicin mace mai isa. Haka wasu mazan suka huta. Ana cikin haka, matansu na zaune a gida cikin jahilci da yin kwalliya.

Jama'a ba sa son irin wannan gaskiyar game da lokacin hutunsu. Hoton yayi ihu. Maza ba su yarda matansu su kalle ta ba. An gargadi masu juna biyu da suma da kada su kusance ta ko kadan.

Mutanen zamanin Manet sun sami irin wannan martani ga shahararren Olympia. Karanta game da shi a cikin labarin. Olympia Manet. Zanen mafi abin kunya na karni na 19."

Claude Monet yana shirya don Salon Paris.

Claude Monet ya yi farin ciki da zaren abin kunya da Edouard Manet ya yi. Yadda abokin aikinsa ya ba da haske a wannan hoton. Dangane da haka, Manet ya kasance mai juyi. Ya watsar da taushi chiaroscuro. Daga nan kuma, jarumar tasa ta yi kamari. Ya fito fili a gaban bango mai duhu.

Da gangan Manet yayi qoqari akan hakan. Lalle ne, a cikin haske mai haske, jiki ya zama launi iri ɗaya. Wannan ya hana shi girma. Duk da haka, yana sa ya fi dacewa. A zahiri, jarumar Manet tayi kama da rai fiye da Venus na Cabanel ko Grand Odalisque na Ingres.

Monet ta yi farin ciki da irin waɗannan gwaje-gwajen ta Manet. Bugu da ƙari, shi da kansa ya ba da mahimmanci ga tasirin haske a kan abubuwan da aka kwatanta.

Ya yi shirin firgita jama'a ta hanyarsa kuma ya jawo hankalin kansa a Salon Paris. Bayan haka, ya kasance mai buri kuma yana son suna. Don haka ra'ayin ƙirƙirar nasa "Breakfast on the Grass" an haife shi a kansa.

Hoton an yi cikinsa a gaskiya babba. 4 zu6m. Babu adadi tsirara a kai. Amma akwai mai yawa hasken rana, karin haske, inuwa.

Aikin ya yi wuya. Zaren ya yi girma da yawa. Zane-zane da yawa. Yawan taro lokacin da abokan mai zane suka nuna masa. Motsi na yau da kullun daga ɗakin studio zuwa yanayi da baya.

Monet bai lissafta karfinsa ba. Kwanaki 3 kacal ya rage gaban baje kolin. Ya tabbata akwai sauran abubuwa da yawa da za a yi. Cikin bacin rai ya bar aikin da ya kusa gamawa. Ya yanke shawarar kada ya nuna wa jama'a. Amma ina matukar son zuwa baje kolin.

Kuma sauran kwanaki 3, Monet ya zana hoton "Camille". Har ila yau, an san shi da "The Lady in the Green Dress". An yi shi a cikin salon gargajiya. Babu gwaje-gwaje. Hoton gaskiya. Cikewar rigar satin a cikin hasken wucin gadi.

Masu sauraro na son Camille. Gaskiya ne, masu sukar sun damu da dalilin da yasa wani ɓangare na tufafin bai dace da "frame" ba. A gaskiya ma, Monet ya yi shi da gangan. Don tausasa ji na mataki-mataki.

Wani yunƙurin zuwa Paris Salon

"Lady in a Green Dress" ba ta kawo shaharar da Monet ta ƙidaya ba. Bugu da kari, ya so ya rubuta daban. Ya so, kamar Edouard Manet, ya karya ka'idodin zane-zane na gargajiya.

A shekara mai zuwa, ya ɗauki wani babban zane, Mata a cikin Lambu. Hakanan zanen ya kasance babba (2 ta 2,5 m), amma har yanzu bai kai girma kamar "Breakfast on the Grass".

Amma Monet kusan gaba daya ya rubuta shi a sararin sama. Kamar yadda ya dace da gaskiya impressionist. Shi ma ya so ya isar da yadda iska ke zagayawa tsakanin adadi. Yadda iska ke girgiza da zafi. Yadda haske ya zama babban hali.

Ba a karɓi zanen ba a Salon na Paris. An dauke shi maras kyau kuma ba a gama ba. Kamar yadda daya daga cikin alkalai na Salon ya ce, “Matasa da yawa a yanzu suna tafiya ta hanyar da ba za a yarda da ita ba! Lokaci ya yi da za a dakatar da su kuma ku adana fasaha!"

Abin mamaki ne cewa jihar ta sami aikin mai zane a 1920, a lokacin rayuwar mai zane, don 200 dubu francs. Bari mu ɗauka cewa masu sukansa sun mayar da maganarsu.

Labarin Ceto na "Breakfast on the Grass"

Jama'a ba su ga hoton "Breakfast on the Grass". Ta ci gaba da kasancewa tare da Monet a matsayin tunatarwa na gwajin da bai yi nasara ba.

Bayan shekaru 12, mai zane har yanzu yana fuskantar matsalolin kudi. 1878 shekara ce mai wahala musamman. Dole na tafi tare da iyalina daga otal na gaba. Babu kudin da za a biya. Monet ya bar "Breakfast on the Grass" a matsayin jingina ga mai otal ɗin. Bai yaba hoton ba ya jefa shi cikin soro.

Bayan shekaru 6, yanayin kuɗin Monet ya inganta. A 1884 ya koma ga zanen. Duk da haka, ta riga ta kasance cikin mummunan hali. Wani ɓangare na hoton an rufe shi da mold. Monet ta katse abubuwan da suka lalace. Kuma a yanke hoton kashi uku. Daya daga cikinsu ya bata. Ragowar sassan biyu yanzu suna rataye a cikin Musée d'Orsay.

Na kuma rubuta game da wannan labari mai ban sha'awa a cikin labarin "Me yasa za ku fahimci zane-zane ko labarai 3 game da masu arziki da suka gaza".

Bayan "Breakfast on the Grass" da "Mata a cikin Lambuna" Monet ya kawar da ra'ayin yin zanen manyan zane. Ba shi da daɗi sosai don aikin waje.

Kuma ya fara rubuta ƙasa da ƙasa. Sai dai 'yan uwa. Idan mutane sun bayyana a cikin zane-zanensa, to, an binne su a cikin kore ko kuma ba a iya bambanta su a cikin yanayin dusar ƙanƙara. Ba su zama manyan jaruman zane-zanensa ba.

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comments sauran masu karatu duba kasa. Yawancin lokaci suna da kyau ƙari ga labarin. Hakanan zaka iya raba ra'ayinka game da zanen da mai zane, da kuma yi wa marubucin tambaya.

Babban misali: Claude Monet. Abincin karin kumallo a kan ciyawa. 1866. 130 × 181 cm. Gidan kayan tarihi na Pushkin im. A.S. Pushkin (Gallery na Turai da Amurka Art na karni na XNUMX-XNUMX), Moscow.